Arthur had to be in London generally once or twice a month, and it came to be accepted that he should always call upon her and “take her out.” She had lost the self-sufficiency that had made roaming about London by herself a pleasurable adventure; and a newly-born fear of what people were saying and thinking about her made her shy even of the few friends she still clung to, so that his visits grew to be of the nature of childish treats to which she found herself looking forward—counting the days. Also, she came to be dependent upon him for the keeping alight within her of that little kindly fire of self-conceit at which we warm our hands in wintry days. It is not good that a young woman should remain for long a stranger to her mirror—above her frocks, indifferent to the angle of her hat. She had met the women superior to feminine vanities. Handsome enough, some of them must once have been; now sunk in slovenliness, uncleanliness, in disrespect to womanhood. It would not be fair to him. The worshipper has his rights. The goddess must remember always that she is a goddess—must pull herself together and behave as such, appearing upon her pedestal becomingly attired; seeing to it that in all things she is at her best; not allowing private grief to render her neglectful of this duty. “But perhaps you’ve changed your mind,” he said. “It isn’t quite as pretty as it’s painted.”!

“Paper going well, sir?” he asked. “I often read it myself.” “You didn’t know him, dear,” she had said to Joan. “All his faults were on the outside.”

He was reading every expression on her face. It seemed a favourable opportunity to inform him of that fixed determination of hers: never—in all probability—to marry: but to devote her life to her work. She was feeling very kindly towards him; and was able to soften her decision with touches of gentle regret. He did not appear in the least upset. But ‘thought’ that her duty might demand, later on, that she should change her mind: that was if fate should offer her some noble marriage, giving her wider opportunity. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.